![]() And that’s why it’s conquered the big screen so thoroughly. But Snyder’s book is far more straightforward. The rest of the Snyder playbook is there, too: a story-starting catalyst midway through the first act, a shootout at the midpoint that ups the ante, an all-is-lost moment-including a death-between the 75- and 80-minute mark, and a concluding final act in which the baddies are dispatched in ranking order, just as Snyder instructs.įield and McKee were obsessed with the theoretical underpinnings of storytelling. And it’s right at the seven-minute mark, almost exactly when it’s supposed to happen in a 110-minute movie. Learn ’em.” That’s Snyder’s second beat, theme stated. “We got rules around here, smartass,” the chief growls. John O’Mara, and the criminal forces of mob boss Mickey Cohen (Sean Penn), O’Mara is called in to see his gruff police superior. ![]() After an opening image that sets up the conflict between Josh Brolin’s hard-charging cop, Sgt. Let’s take a journey through this year’s blockbusters and blockbuster wannabes and see the big trailer-ready ways in which Snyder’s beat sheet pops up over and over again. ![]()
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